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These essays explore the relationships being forged between museums and Native communities to create new techniques for presenting Native American culture.“In [this] memorable book, Indian people use words, actions, and artifacts to represent themselves as fully human, free at last from the soul-cramping and spirit-reducing tests of authenticity and purity.” For the first Americans, a record of the past is written in the objects that were a part of daily life.Today, museums have begun to incorporate the Native perspective in their displays.Even more dramatic is the increasing number of Indian-run museums.
Lushly illustrated with more than 150 never-before-published photographs, this retrospective represents the first major publication of Horace Poolaw's photography.This is the companion book to the original exhibition of the same name developed by the Anchorage Museum of History and Art., five renowned scholars of Native art show how historical and contemporary Anishinaabe artists have expressed the spiritual and social dimensions of their relations with the Great Lakes region. Phillips, and Gerald Mc Master—explore the ways in which the artists have depicted stories, histories, and experiences of the Great Lakes.Values, traditions, and beliefs are embodied in works of Native creativity, from children’s toys to leaders’ war shirts, and from Arctic kayaks to masks made by the people of Tierra del Fuego.
Using objects from the museum’s collection, historical photographs, and the voices of Native Americans past and present, From Pocahontas to popular film, and from reservation life to the “urban Indian” experience, the experts of the Smithsonian’s National Museum of the American Indian debunk the most common myths and answer the most frequently asked questions about Native Americans.
The museum’s holdings are rich in examples of Native ceramics from throughout the Western Hemisphere, stretching across forty centuries to the present day.